{"id":454,"date":"2003-02-12T15:12:31","date_gmt":"2003-02-12T20:12:31","guid":{"rendered":""},"modified":"1969-12-31T19:00:00","modified_gmt":"1970-01-01T00:00:00","slug":"","status":"publish","type":"post","link":"https:\/\/www.pageliberale.org\/?p=454","title":{"rendered":"Hollywood vu de France"},"content":{"rendered":"<p>Chronique de Hollywood \u00c3\u00a0 la t\u00c3\u00a9l\u00c3\u00a9vision fran\u00c3\u00a7aise, des m\u00c3\u00a9faits de ses sc\u00c3\u00a9naristes et metteurs en sc\u00c3\u00a8ne gauchistes \u00c2\u2013 certains \u00c3\u00a9tant tr\u00c3\u00a8s dou\u00c3\u00a9s, Oliver Stone par exemple \u00c2\u2013 et de leur r\u00c3\u00a9ception enthousiaste par les m\u00c3\u00a9dias europ\u00c3\u00a9ens (nda: <i>je pr\u00c3\u00a9cise que je suis par ailleurs un consommateur passionn\u00c3\u00a9 des productions venant de Hollywood ! <\/i>). Il faut dire que les critiques europ\u00c3\u00a9ens (et en particulier fran\u00c3\u00a7ais) n&rsquo;aime jamais autant le cin\u00c3\u00a9ma am\u00c3\u00a9ricain que lorsque celui-ci d\u00c3\u00a9nonce la soci\u00c3\u00a9t\u00c3\u00a9 am\u00c3\u00a9ricaine (blanche \u00c3\u00a9videmment), ses innombrables tares fantasm\u00c3\u00a9es (racisme, mat\u00c3\u00a9rialisme, violence etc.) et les hommes politiques conservateurs (hier Reagan, aujourd&rsquo;hui Bush). C&rsquo;est pour cette raison que le pseudo-rebelle et escroc intellectuel Michael Moore est un chou-chou des journalistes fran\u00c3\u00a7ais. En revanche lorsqu&rsquo;un film am\u00c3\u00a9ricain montre la grandeur de l&rsquo;Am\u00c3\u00a9rique en tant que soci\u00c3\u00a9t\u00c3\u00a9 de libert\u00c3\u00a9 ou exprime des valeurs lib\u00c3\u00a9rales ou conservatrices (l&rsquo;entreprise, le mariage,  la famille, la religion etc.), dans ce cas les critiques europ\u00c3\u00a9ens disent qu&rsquo;il s&rsquo;agit \u00c2\u00ab d&rsquo;une apologie d&rsquo;une na\u00c3\u00afvet\u00c3\u00a9 affligeante du \u00ab\u00a0r\u00c3\u00aave am\u00c3\u00a9ricain\u00a0\u00bb \u00c2\u00bb ou \u00c2\u00ab d&rsquo;un d\u00c3\u00a9testable spectacle r\u00c3\u00a9actionnaire qui caresse dans le sens du poil l&rsquo;Am\u00c3\u00a9rique profonde \u00c2\u00bb\u00c2\u2026<\/p>\n<p>Un exemple de film que les critiques europ\u00c3\u00a9ens ont aim\u00c3\u00a9 : <a href=\"http:\/\/www.cinecinema.fr\/ftc\/index_html?canal=3&#038;id_prog=465094-6\">\u00ab\u00a0Hurricane Carter\u00a0\u00bb<\/a> de Norman Jewison<\/p>\n<p>\u00c2\u00ab 1966. L&rsquo;ascension du boxeur noir Rubin \u00a0\u00bbHurricane\u00a0\u00bb Carter est stopp\u00c3\u00a9e net quand celui-ci est condamn\u00c3\u00a9 \u00c3\u00a0 perp\u00c3\u00a9tuit\u00c3\u00a9 pour un triple meurtre qu&rsquo;il n&rsquo;a pas commis. Derri\u00c3\u00a8re cette erreur judiciaire se cache l&rsquo;acharnement d&rsquo;un <b>flic raciste<\/b> et la passivit\u00c3\u00a9 d&rsquo;une opinion am\u00c3\u00a9ricaine, hostile ou <b>peu r\u00c3\u00a9ceptive<\/b>, \u00c3\u00a0 l&rsquo;\u00c3\u00a9mancipation des noirs. Gr\u00c3\u00a2ce \u00c3\u00a0 la t\u00c3\u00a9nacit\u00c3\u00a9 d&rsquo;un jeune activiste, son proc\u00c3\u00a8s est r\u00c3\u00a9ouvert vingt ans plus tard.<\/p>\n<p><b><i>Fid\u00c3\u00a8le \u00c3\u00a0 son cin\u00c3\u00a9ma militant<\/b>, Norman Jewison, qui r\u00c3\u00a9alisait &lsquo;Dans la chaleur de la nuit&rsquo; <\/i>(nda: avec une superbe bande-son sign\u00c3\u00a9e Quincy Jones  et Ray Charles!)<i> en 1966, livre ici un <b>film admirable, tir\u00c3\u00a9 d&rsquo;une histoire vraie<\/b>. Le sport, la justice, l&rsquo;univers carc\u00c3\u00a9ral et l&rsquo;histoire sont abord\u00c3\u00a9s dans un <b>souci d&rsquo;\u00c3\u00a9quilibre<\/b> et port\u00c3\u00a9s par Denzel Washington, au meilleur de son jeu.<\/i> \u00c2\u00bb<\/p>\n<p><b>EN R\u00c3\u2030ALIT\u00c3\u2030 :<\/b><\/p>\n<p>&#8211; <b>Larry Elder \u00ab\u00a0&lsquo;Hurricane&rsquo; warning\u00a0\u00bb <\/b>: <a href=\"http:\/\/www.jewishworldreview.com\/cols\/elder020400.asp\">Jewish World Review<\/a><br \/>\n&#8211;<b> <a href=\"http:\/\/members.shaw.ca\/cartermyths\/\">Hurricane Carter myths<\/a><\/b><br \/>\n&#8211;<b> <a href=\"http:\/\/graphicwitness.com\/carter\/index.html\">Hurricane Carter<\/a><\/b>  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chronique de Hollywood \u00c3\u00a0 la t\u00c3\u00a9l\u00c3\u00a9vision fran\u00c3\u00a7aise, des m\u00c3\u00a9faits de ses sc\u00c3\u00a9naristes et metteurs en sc\u00c3\u00a8ne gauchistes \u00c2\u2013 certains \u00c3\u00a9tant&#8230; <a href=\"https:\/\/www.pageliberale.org\/?p=454\">Continue reading &raquo;<\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-454","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/www.pageliberale.org\/index.php?rest_route=\/wp\/v2\/posts\/454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pageliberale.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pageliberale.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pageliberale.org\/index.php?rest_route=\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pageliberale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=454"}],"version-history":[{"count":0,"href":"https:\/\/www.pageliberale.org\/index.php?rest_route=\/wp\/v2\/posts\/454\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.pageliberale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pageliberale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pageliberale.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}